Eyes of Artists

Aperture’s Spring Releases

Posted in books, photographers by Corey Presha on April 6, 2009

– The Aperture Foundation has a very exciting release schedule for the spring this year. One of my favorite series’ of work, Doug Dubois’ All the Days and Nights is finally getting the book treatment as well as Eirik Johnson’s newest series Sawdust Mountain. Also interesting are Barbara Crane’s book entitled Private Views and Jacqueline Hassink’s Car Girls, which I actually got a preview of at Dashwood a couple of weeks ago.


Doug DuBois began photographing his family in 1984, prior to his father’s near-fatal fall from a commuter train and his mother’s subsequent breakdown and hospitalizations. While these events set a narrative backdrop to his work, the emotional freight is carried by the details as described by the artist: “the pallor of my mother’s skin, the glare of my father’s gaze and the tactile communion between my sister and nephew constitute a complex and resonant picture of family ties.”


A culmination of four years of photographing throughout Oregon, Washington, and Northern California, Sawdust Mountain focuses on the tenuous relationship between industries reliant upon natural resources and the communities they support.


Private Views offers an intense, sun-drenched, sweat-glistening photographic experience. The effect is mesmerizing and intensely compelling, creating a palpable sensuality from image to image—an incredible document, not of a particular event or personalities, but of something less tangible: the public expression of euphoria.


Dutch artist Jacqueline Hassink has received critical acclaim for her books and exhibitions that deal conceptually with issues of power and social relations. Car Girls is a body of work that Hassink has created over five years, photographing major car shows in seven different cities on three continents. As she describes it, she has used these sites to reflect on “differing cultural values with regard to their ideal images of beauty and women. The series captures the moments during the women’s performances when they become more like dolls or tools than individuals.”


One Response

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  1. marla said, on April 6, 2009 at 10:56 pm

    im just not that impressesed by car girls :/ but i really want that eirik johnson book! wanna buy it for me?

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