Eyes of Artists

Print Sale!

Posted in personal by Corey Presha on November 3, 2009

- To help fund the production of new work and other upcoming projects I am offering four limited edition prints through my new website. Just go to the image on my site and click the price to pay using paypal. Please take a look and repost if you can. Thanks!
www.coreypresha.net

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Dog and Bus, Blackshear, Georgia, 2008
from Simple Comforts
Archival Inkjet Print
11 x 14 in. / 27.9 x 35.6 cm
Edition of 15, Signed and numbered
$55 ppd

ron_navajo_arizona_2008
Ron, Navajo, Arizona, 2008
from The Road is Life
Archival Inkjet Print
11 x 14 in. / 27.9 x 35.6 cm
Edition of 15, Signed and numbered
$55 ppd

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Untitled (California Landscape #3), 2008
from Observations I
Archival Inkjet Print
16 x 20 in. / 40.6 x 50.8 cm
Edition of 10, Signed and numbered
$85 ppd

untitled_grand_canyon_2008
Untitled (Grand Canyon #4), 2008
from Observations I
Archival Inkjet Print
16 x 20 in. / 40.6 x 50.8 cm
Edition of 10, Signed and numbered
$85 ppd

All Images © Corey Presha

Graphic Intersections

Posted in photographers by Corey Presha on November 3, 2009

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- The Exposure Project’s new project Graphic Intersections went live last week and it is a really nice series of images from a great group of photographers including Jane Tam, Drew Kelly, Noel Rodo Vankeulen, Ed Panar, Scott Eiden, as well as many others.

Graphic Intersections is a collaborative project loosely based on the old Surrealist and Dadaist game The Exquisite Corpse. Designed to unite disparate artists in an interconnected photographic relay of images inspired by one another, this project strives to emphasize a system of response entirely rooted in unmediated visual reaction.
The first photographer made a photograph, which was subsequently forwarded to the second in line. The 2nd then, based solely on their own visual, emotional, intellectual or philosophical response, in turn made photographs in artistic reaction to the one they were given. The artists involved were not given any written material to accompany the photograph, nor did they know whose image they were responding to. This was designed to propagate chance, or as the Surrealist’s put it, exploit “the mystique of accident.”
Ultimately, Graphic Intersections to challenge the bounds of sequential, narrative imagery, while simultaneously fostering stronger lines of artistic affiliation.

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© Noel Rodo Vankeulen

Tierney Gearon Interview

Posted in interviews, photographers by Corey Presha on November 2, 2009

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© Tierney Gearon
- Michael Werner just posted the newest addition to his Two Way Lens blog, an interview with one of my favorite photographers Tierney Gearon. Check out it here.

New Design for Tiny Vices

Posted in photographers by Corey Presha on October 31, 2009

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© Lucas Blalock
www.tinyvices.com

Welcome to the newly designed tinyvices.com. For the re-launch I’m going to re-introduce all the old content on the site bit by bit, day by day, along with new content, updated portfolios and other posts. So everything from the old site will get re-posted over the next few weeks/months..
- Tim Barber

Website Update

Posted in personal by Corey Presha on October 31, 2009

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© Corey Presha
- I just updated my website with a new look and new portfolios, please take a look.
www.coreypresha.net

Lay Flat

Posted in Magazines, books, photographers by Corey Presha on October 30, 2009

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- Shane Lavalette just announced some details for issue 2 of Lay Flat this time co-edited with photographer Michael Bühler-Rose. The new issue looks to be shaping up quite nicely and after the excellent first issue they have a lot to work towards. They are seeking donations to go towards the printing and distribution of the new issue, so please go to the Lay Flat site and donate what you can. It also seems that the first book release from Lay Flat will be coming out next summer, very excited to see what that will be.

Lay Flat 02: Meta brings together the works of contemporary photographers whose images are conceptually engaged with the history, process and conventions of the medium itself. Photographs by Claudia Angelmaier, Semâ Bekirovic, Charles Benton, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Torbjørn Rødland, Noel Rodo-Vankeulen, Joachim Schmid, Penelope Umbrico, Useful Photography, Charlie White, Ann Woo and Mark Wyse are accompanied by the textual contributions of Lesley A. Martin (Publisher/Editor, Aperture Foundation), Adam Bell (Co-editor, The Education of a Photographer) and artist Arthur Ou.

Henry Roy Interview

Posted in books, interviews, photographers by Corey Presha on October 27, 2009

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© Henry Roy
- Was just reading this interview, Boundries of the Visible with Henry Roy and thought I’d share it. It’s a very interesting read with a true insight into his new book which was just released on Gottlund Verlag.

The Flood Collective

Posted in photographers, shows by Corey Presha on October 25, 2009

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- Please check out the new site for The Flood Collective a group of photographers from Purchase College and their first monthly show “May You Live in Interesting Times”. Some really great work in the show by Matt Licari, Nicky Devine and Marshall Scheuttle as well as others.

Dreamboats Collective Show in Brooklyn

Posted in photographers, shows by Corey Presha on October 25, 2009

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- The Dreamboats Collective (photographers Daniel Shea, Adam Golfer, Joe Leavenworth, and TJ Proechel) have a show going up in Brooklyn on November 4th. Should be a fantastic show with the work of 4 emerging talents. Check out the Dreamboats site for more info.

Grant Ernhart

Posted in photographers by Corey Presha on October 24, 2009

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- Grant Ernhart’s series Life in the Woods has some really nice work in it.

In the summer of 2008 I participated in an artist residency on the Jeffer’s Tree farm in southeastern Ohio. I did not have many expectations about the experience, but soon after arriving at the farm I began photographing my fellow residents and the natural setting of the residency. I think I held the lofty goal of wanting to capture the mythical artist in the midst of creation. However, instead of the idealized “Artist” who finishes works with supernatural talents, I witnessed a very consistent and persistent curiosity to be the source of my fellow residents creativity. Over the course of my stay, I came to realize that the artist, as with any archetype that we place high up on a pedestal, is just person. This realization was both amazing and diminishing.

Life in the Woods is a project that documents the participants of an artist residency and their creative endeavors. It also examines the natural setting of the tree farm, which was often the backdrop, inspiration and subject matter for many of the artists’ projects.

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© Grant Ernhart
See more work here.